Snipe: 10 albums of 2010

John Rogers | Thursday 30 December, 2010 22:06

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10. Darwin Deez
NYC guitar-pop, like a doe-eyed Strokes with a drum machine, a sweet disposition and a sense of fun. Lightweight stuff, but done so perfectly that you can’t help but adore it.

9. Deerhunter – Halcyon Digest
Bradford Cox dips into his songwriting memory box and pulls out a series of songs that read like a muso’s tribute to his favourite music of the previous 5 decades. HIs body of work keeps getting better. Bradford Cox is a musical icon developing before our eyes.

8. Caribou – Swim
Caribou went electronic, exploring the ground between the mechanical rhythms of dance music and the organic, shimmery analogue sound of Andorra. Cropped down from hundreds of contenders, each song became an artefact, the set characterised by a scholarly attention to detail.

7. Joanna Newsom – Have One On Me
Following up her iconic album “Ys.” was never going to be easy, but Joanna Newsom pulled it off with this sprawling collection of kindly, poetic melodies.

6. Field Music – Measure
A brilliant accomplishment of a record that sounded like a lost AOR classic. Inventive, engaging, sprawling, and practically perfect in every way. So good, I’m freshly surprised on each listen on the sheer musical quality on display.

5. Trouble Books – Gathered Tones
Radiating sonic warmth and character, Trouble Books’ second was another engaging and endlessly likeable series of heartstring-tugging short stories and reassuringly familiar everyday scenes. The polar opposite of punk rock.
Trouble Books – Parking by snipelondon

4. Meursault – All Creatures Will Make Merry
Lo-fi emotional folk (lolemolk) music with electronic flourishes, autobiographical lyrics and spellbinding vocals.

Meursault – Crank Resolutions by snipelondon

3. Beach House- Teen Dream
A caring, understated record full of mild poetry and enticing melodies, made great by the seam of human warmth that runs through every song.

Beach House – Norway by sxeseis

2. Future Islands – In Evening Air
A theatrical, histrionic vocal delivery fronts songs that cover the ground between Joy Division’s tense basslines and Xiu Xiu’s cracked keyboard sounds. A singularly odd and brilliant band who’ve pulled off something really special with this album.

Future Islands – Walking Through That Door by snipelondon

1. Sam Amidon – I See A Sign
American folk songs and murder ballads made humbly brilliant by Amidon’s inimitable, reedy, cracked voice. Arrangements and accompaniment by Valgeir Sigurðsson and Nico Muhly certainly don’t do any harm, and the curveball R. Kelly cover is a stroke of genius, bringing the past-and-present element into sharp focus. Like Future Islands, Amidon mixes a healthy sense of absurdity with subject matter of gravity, and in doing so manages to bring to bear the perfect everyday heartaches of the great American blues singers.

Daily MPfree: Sam Amidon – How Come That Blood by snipelondon

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